Some big news for Ray today. Well, it went official yesterday while he was at the Fall for the Book Festival at George Mason University (a great event, by the way). His latest — Why Not? 15 Reasons to Live — has been nominated for the Hilary Weston Writers’ Trust Prize for Nonfiction. Congrats, Ray! [...]
Yearly Archives: 2011
Ray Robertson’s “Why Not?” – launch parties and events
SFWP’s publishing wing launched with the American reprint of Robertson’s excellent fictionalized homage to Gram Parsons, Moody Food, in 2005. For years, I’ve been captivated by his voice as a writer. His most recent release is Why Not? Fifteen Reasons to Live, a provocative collection of essays on life, love, and the things that really matter. He’ll [...]
Poetry Awards Program Deadline, Confirmations, and Timeline
Today’s the last day to get your entry in for the Poetry Awards Program! I’ll be taking down the online entry form sometime tomorrow afternoon (hopefully not breaking the main SFWP page in the process) and then we’ll move on to judging.
2011 Awards Program Deadlines
I think I’ve managed to create confusion by running two writing contests with different end dates. All part of my cunning plan to frustrate everyone…including the judges! So we’ll start out with a reminder: The Poetry Awards Program ends on September 1st. The Literary Awards Program ends on December 15th.
SFWP Kindle Editions on Sale
SFWP is part of the “Big Deal” Kindle sale at Amazon. Between today and July 27th, you’ll be able to get the electronic versions of our titles on the cheap. The links below will lead to the Amazon Kindle page for each book…
These Days
It was cool for that time of year, tolerable. The night was hidden by a hazy mist that clung to the van’s windshield. Larry almost didn’t see the kid until he was upon him—a ghost on the side of the road, neither coming nor going. Larry passed him—no hitchhikers, ever. Too dangerous these days. Maybe once, when he himself was a kid, but not now, not after Nixon, after Oklahoma City and Osama bin Laden. He’d spent over a decade on the road, one of the last hardy traveling salesmen, a dying breed he called himself, and he’d survived as long as he had because he didn’t pick up hitchhikers. Common sense kept you alive.
But a habitual glance in the rearview mirror caused him to pull over. Something about the slump of the figure’s shoulders suggested youth.
Corrales
Corrales, New Mexico is a narrow, meandering patchwork of a village lying low in the Rio Grande Valley. It consists of horse paddocks, orchards, skinny vegetable gardens, slightly jarring retail strips and ancient adobe buildings jammed into the space between the river bosque and the mesas to the West. Its citizens are a mix of artists, craftsmen, farmers, shop keepers and upscale business types longing to find an escape. Tall, spreading forms of gnarly old Cottonwood trees seem to stand guard and protect the village from the incursion of too much reality.
A lack of such incursions led us, a few years back, into the New Mexican Handmade Furniture business and meeting Mike. We’d heard he made tortilla tables and wanted to see one.
Rayrobertson.com Updates
I just uploaded a few changes to Rayrobertson.com last night. The big news is his upcoming title, Why Not? Fifteen Reasons to Live. It’s an autobiographical collection of essays inspired by a moment of suicidal depression after the completion of David. In my opinion, it’s Ray’s most important work. I’ve read the first few essays, [...]
Light Lifting: A Review
Light Lifting by Alexander MacLeod is anything but light. In a collection of seven short stories, his characters face the physical reality of life, death, illness, and exhaustion. They are fighters, they are bricklayers, they are swimmers struggling for life against the Nova Scotia tide. MacLeod structures the majority of his stories with a tight [...]
What Boys Like: A Review
Kurt Cobain once said: I’d rather be hated for who I am than loved for who I am not. In her short story collection What Boys Like, Amy Jones illustrates many characters who, in these fifteen brilliantly well-crafted tales, much like Cobain, revel in their own uniqueness of who they are, rather than who they are not. Jones takes great care to explore the tenuous, callous and often humorous boundaries of human relationships, while maintaining one consistent theme, it seems: everyone has something to lose.