Joshua Ferris’ second novel, The Unnamed
The Journal
The Unnamed: A Review
Santorini
The ferry pulled into the harbor at dawn, and they watched the sun rise behind the cliffs. The craggy bluffs of Santorini towered over them, exposing layers of black, white, and gray earth, all streaked with dark red, as if sprinkled with powdered blood.
She outlined the harbor with her eyes. When he told her he would bring her here, she bought a book about the island. So she knew, as she looked out at the sea, that the island used to be round, that she was not overlooking a body of water but a submerged volcanic crater, flooded centuries ago by a catastrophic eruption.
Take Me to Your Heart
“Elvis died on my birthday. My fourteenth. We lived in Delavan then. My mom worked at the club on the lake.”
Stirring wretched coffee with a fork while a tinny radio played something that must have been relevant to the assertion, fifty-seven year old Alonzo Johnson wondered how it had been decided, at that moment, in a packed Greyhound diner, that the stranger sharing his two-person table would disclose that particular piece of information. Or, more properly, those pieces, as it wasn’t only the Elvis-death-birthday declaration, but there was also Delavan, the mom, and the club. That must have been Hugh Hefner’s old place on Lake Geneva. He wondered which was most pertinent.
The House No One Lived In
They considered themselves midnight adventurers, coming off the hill they so lovingly called Henshit Mountain, to cross the pond in the dead of winter with sleds to “borrow” lumber from Artie Donolan who had ”borrowed” it from Breakheart Reservation, a state park. The park, at its deepest end, bordered on land that the Donolans had worked for years, including timber they ripped out of the state park as long as a few eyes stayed closed. To the boys from Henshit Mountain, the Donolan rape was not unknown, not to these teenagers, who were only enacting their own form of justice, borrowing enough lumber to build themselves a clubhouse at the thickly-treed section of the mountain. With various spurts of energy, even in summer when they floated rafts of lumber across the same pond from the same lumberyard, rooms were added to the clubhouse. The building rose majestically, they all agreed, they who had to a man become proficient carpenters and finish men.
In the Coal Mine Shadows
The first year after Henry’s death, the Blackwells cleared the hilly land. By the next spring, a half-dozen acres were ready to plant. On a frosty March morning, Mary headed to Harrisonburg. In her right pants pocket was ninety-two dollars folded over with twine into a tight, thick wad. She could feel its weight on her thigh, but she reached into her pocket just to feel it, to touch it and make sure it was still there. This was her and Henry’s life savings, and most of it would be spent that day on those little black specks of gold called burley seed. The future of the Blackwell family depended upon seeds.
Shades of Grey: A Review
There’s something compelling about a Jasper Fforde novel, something that sucks you into the story, tossing you along until the end when it finally grinds you up and spits you out before you even know what’s happened. Fforde is a true satirist, not just pulling apart the way we tell stories, but pulling apart accepted critical conventions and putting them back together again, reinterpreting criticism and analysis from the inside out.
Murmur
The boy’s skin was very pale. Arms turned down, thin strips of black wrapped around, mapping where the skin didn’t meet. He was very handsome and Murmur was glad.
The Girl With Glass Feet: A Review
Thoughtful, dreamlike, meandering–these were my expectations of Ali Shaw’s debut novel, The Girl with Glass Feet. For the first chapter or so, the novel held up. Lines like “It was a darkening afternoon whose final shafts of light passed between trees, swung across the earth like searchlights,” drew me into St. Hauda’s Land, setting up yet more expectations. Then it all fell flat.
Candor: A Review
If I were pitching Pam Bachorz’ Candor at an editorial meeting, I’d call it “dystopian contemporary YA meets The Stepford Wives with a dash of Wisteria Lane from a male perspective”.
Next Year in Paradise
Ginnie and Roger were already planning next year’s trip, when they’d just arrived for this year’s annual family vacation, one of the lesser Caribbean islands with a Catholic-sounding name. They preferred to just call it Paradise, as in Next year in Paradise we’ll rent a car for the far beach, the one with the goats. When their daughter Maxine was little, Roger would hoist her on his shoulders to hang their bag of peanut butter sandwiches from a high branch so the mangy gray goats couldn’t nuzzle for a bite. By next year, Maxine’s baby would be old enough to make goat sounds, if Ginnie sang “Old MacDonald’s Farm” like she used to with Maxine.